Showing posts with label student feedback. Show all posts
Showing posts with label student feedback. Show all posts

Sunday, March 2, 2014

Gingerly Revising

in which a student and a teacher confront their limits

The Secret Life of Teaching, #6

By Horace Dewey


            Ginger has come to see me to talk about her latest essay. This is a meeting neither one of us particularly wants to have—she’s surely dreads it; I’m knee-deep in the middle of recalibrating my spring semester syllabus when she arrives. But now that our unplanned encounter, largely orchestrated by others, is happening, we’re both doing our best to make it worthwhile.
            I’ve known for weeks now that Ginger is a weak student. Utterly silent in class, she never handed in her first essay of the new semester, and when I asked her about it a couple days after it was due, she said that she had a bad Internet connection. That’s fine, I said. Just give me a hard copy tomorrow. When that didn’t happen, she said she was having printer problems, and would drop it off later that day. When that didn’t happen, I sent an email to her parents. The essay materialized the next day, along with apologies for the delays from them and her. Minimally acceptable in terms of content and structure, I decided that this was not a good time to tell her to do it again—I inferred I’d already caused some tumult in her household, and establishing a reputation as a remorseless academic stalker would not be the best way to promote a working relationship. But clearly, I was going to have to keep an eye on her.
Her next essay, handed in on time, was even weaker. In my comments, I beat around the bush a bit, commending her for her evident engagement and willingness to grapple with the question, but finally confessed that I found it—hesitating to use the word, but deciding it was best—“incoherent.” I asked her to come and see me so that we could plot a course for revision. I felt both justified and guilty for this approach. Justified, because I felt it important to both be willing to help as well as ask her to take responsibility for her work, and guilty because I was asking her to demonstrate a level of maturity she’d already shown she lacked. I always feel a tug between trying to nudge my students along and protecting my time, and at some level I knew that if I wasn’t more proactive with Ginger, she’d slip my mind. As indeed she did.
            It was her parents who pushed the process along, sending around group emails to her teachers asking for feedback about her work a couple weeks later. A flurry of email exchanges with her advisor followed, which culminated in a phone call from the school learning specialist telling me that she happened to be with Ginger as we spoke and wondering if she could send her my way. Yes, I said, turning back to my work with the added fervor of knowing it was going to be interrupted momentarily.
Now she’s here at my desk, backpack at her feet, awaiting her fate. Dark hair, dark eyes, she’s pretty, maybe even striking, but her sense of vulnerability is so palpable that it overrides any other attribute. I try to set her at her ease. Where do you live, Ginger (uptown), what do you your folks do (they’re both on the business side of the television industry), do you have any siblings (an older half-sister from her father's previous marriage). Her answers are direct, earnest, and dead ends. This is not a conversation.
“What do you do for fun, Ginger?”
“I dunno,” she replies. “Nothing, really.” Then, brightly, as if she’s suddenly realized the solution to an algebra problem that’s been posed to her: “I decided this week to work on sets for the spring musical!”
“That’s great,” I say, wishing I could make that ember flare. But I don’t have the presence of mind to ask her what she’s making, how the show is going, or something to keep the momentum going. The only thought that comes to mind is that she'll have one more reason to put off grappling with her academic difficulties. And I think, not for the first time, that I have a worse track record with girls than boys when it comes to dealing with struggling students.
We proceed to talk about her course work. Usually math and science are harder than history and English, but this year it seems to be the other way around. Last semester’s history teacher was different, she tells me. More facts and dates and smaller, more manageable, assignments. From another kid, this would be barely veiled criticism. I don’t think she means it that way, though perhaps she should. But we need to get down to the business at hand.
“So what did you understand my message to you to be in my comments?” I ask. This is a standard gambit of mine; it’s helpful for students to interpret what I said in their own words, and for me to be prompted, dozens of essays and days later, about what I said to one kid in particular.
“That I was incoherent,” she replies. Ugh. She got that message, all right.
I prompt her to tell me what she was thinking about when she was writing the essay, and once she gets launched on a little soliloquy, things get easier. I jot down some notes as she talks, structuring her various points into a simple outline. The essay she’s narrating is rudimentary, and doesn’t quite answer the question I ask. But if she can actually execute what she’s saying on paper, we’ll be making a discrete step forward.
I show her the outline. “Does this make sense to you?”
She looks at it intently. “Yes,” she says. “I had a pretty clear idea when I sat down, but I felt like I had so many ideas in my head, and I have attention deficit issues, and I dunno . . . .” her voice trails off. I don’t think she wanted to surrender the fact of a learning disability to me. But this is apparently what she’s supposed to do, and she’s going to play her part.
“I sort of understand,” I tell her. “I have a kid with learning disabilities. I won’t tell you I know what that’s like, but I think I have some notion of the issues.” She looks me in the eye for the first time. She understands my gesture for what it is, and her acknowledgment feels like one in its own right.
My problem now is that I don’t know where to go with this. I know it’s very easy to say the wrong thing—promise too much, offer too little. Our silence is awkward. Ginger pulls together the two sides of the unzipped hoodie she’s wearing over her scoop-necked shirt, something she’ll do repeatedly in the remainder of our meeting. This saddens me.
Back to the task at hand. She’s going to work off this blueprint. She asks when I want the revised version. I ask when’s good for her. She tells me to tell her. How’s Friday. All right, then. We agree to meet again before an upcoming test. “This is going to work out fine,” I tell her. “I know it’s hard—it’s hard for everyone, no one writes effortlessly—but it’s going to be fine.” She smiles at me, hopefully and doubtfully, as she returns her papers to her backpack and zips it up. Our meeting is over.
Mom will follow up with an email; I promise to read multiple drafts. But it's been a few weeks now, and nothing has happened. Ginger avoids eye contact again whenever possible. Maybe she'll pull things together on my watch, or someone else's. She has the good fortune—if at times she surely regards it as a mixed blessing—of people looking after her. But for me the whole encounter is a reminder of the limited ability of teachers generally, and this teacher in particular, to fill the unaccountable holes that riddle our lives.

Monday, November 9, 2009

Trying


In which we see Ms. Bradstreet engage in a one-way conversation


The Maria Chronicles, #21


With class over, Maria fixes her gaze on Derek, waiting to get his attention amid the rustling of pages and the rude sound of sliding chairs and desks. But in this as in other ways, he's hard to reach, and he's almost out the door before their eyes meet.


"Derek, can I talk with you for a minute?"

He silently takes his hand off the door and walks back. Vanessa is lingering near Maria's desk. She looks at Derek and back at Maria, perhaps hoping Maria will dispatch Derek so that Vanessa will have Maria to herself. But when Maria asks, "What can I do for you, Vanessa?" it's clear that the teacher's intention is the other way around.

"I was hoping we could meet to go over the test," Vanessa says.


"Well, this isn't a good time," Maria answers. "How about tomorrow before school? I'll be up in my office."


"Great," says Vanessa, satisfied. "See you then."

Blech, Maria thinks as she turns back to Derek. Vanessa is a pain in the ass. But she'll be easy compared with Derek; Maria's been dreading this encounter but knows she has to do it. She pauses to take in his Metallica concert shirt, perplexed by these kids who buy shirts with bands who were on tour before they were even born. It seems so fake.

"Derek, I'm a little concerned about you."

He says nothing, inscrutable. Maria is actually kind of impressed: no move toward defensiveness, much less defiance. There's real discipline in his self-containment. But it worries her, too.

"You passed the exam, but barely. You rarely participate in class discussion. Your first essay was late, though I thought it was actually pretty good. Do you have a problem with the class that we can talk about?"

Derek lifts his eyebrows and moves his eyes, as if he's been asked a question he's been asked an impossible question. "No, not really."

"Not really?"

"I mean, no. The class is fine. I don't really have a problem with it."

"Well, actually, what I meant is that I think that you're kind of the problem. Not in the sense that I think you're disruptive or anything (though Maria does think his disengagement is at times so extravagant as to be distracting to other students), but rather that your performance has been marginal at best. I was hoping we might be able to talk about it before, or instead of, getting your parents involved."

Maria feared that this would be heard as a threat, even blackmail. But she's again surprised by the lack of reaction.

"Do you think I should call your folks?"

He shrugs. "Whatever. Do what you have to do. My dad isn't around, but you should catch my mom."

What does "isn't around" mean, she wonders. Maria is mad at herself. She should have asked around and tried to get more of Derek's backstory before this conversation. She meant to ask Jen Abruzzi for help, but didn't see her at lunch and decided she would go ahead and get this over with. Now she sees this situation will be going on for a while.

"Well, look, Derek, is there anything I can do to help improve your performance? Because I'll tell you that if your performance doesn't improve soon in one form or another you're going to end up in trouble. Do you understand what I'm telling you?" Maria is struggling to keep her irritation out of her voice.

Derek purses his lips and nods. He glances up at the clock. "I'm late for practice," he says.

"Oh really? What do you play?"

"Point guard. Tryouts are today."

Aren't tryouts different than practice? Maria wonders. But she's not going to press him on that ground. She's having enough trouble with him as it is.

"Well, all right then," she says. "You know where I stand. I'm here to help you, Derek. But you gotta meet me, if not halfway, then somewhere along the way. I see someone interesting when look at you. But the walls are a mile thick. I'll respect those barriers as long as you understand and are willing to accept the consequences, as you seem to be. But . . . well, I hope you won't blame me for trying."

That came out a little more plaintive than she intended. Maria is a little embarrassed.

But Derek, still expressionless, looks at her and nods. It's the most hopeful thing he's done.

"You can go." And with that, he does.

"Jesus," Maria says, turning around to save her notations on the Smart Board. People always talk about how big an impact teachers can have. But most of the time, it's the limits that define her reality. She turns off her computer, shuts out the lights, and heads outside, where the bright afternoon air has more bite than it did this morning. She sure wishes she had another layer.